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  1. Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    Shahrzad Changalvaee, Better Never Than Late#1 // Archival Color Print on Paper, Mixed Media, Ink // 3’ x 6’ x 3” // 2018, SOHO20 +/- Project Space

    Shahrzad Changalvaee, Better Never Than Late#1 // Archival Color Print on Paper, Mixed Media, Ink // 3’ x 6’ x 3” // 2018, SOHO20 +/- Project Space

    Lulu Meng, film still, from "Talking Objects," NURTUREart, 2019.

    Lulu Meng, film still, from "Talking Objects," NURTUREart, 2019.

    Yto Barrada, film still, from "Talking Objects," NURTUREart, 2019.

    Yto Barrada, film still, from "Talking Objects," NURTUREart, 2019.

    Keren Benbenisty, film still, from "Talking Objects," NURTUREart, 2019.

    Keren Benbenisty, film still, from "Talking Objects," NURTUREart, 2019.

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Shahrzad Changalvaee, "Everything In Its Place (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Shahrzad Changalvaee, "Everything In Its Place
    (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Shahrzad Changalvaee, "Everything In Its Place (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Shahrzad Changalvaee, "Everything In Its Place
    (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Shahrzad Changalvaee, "Everything In Its Place (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Shahrzad Changalvaee, "Everything In Its Place
    (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    "Studios," from Vocabulary, group exhibition at SOHO20, 2019.

    "Studios," from Vocabulary, group exhibition at SOHO20, 2019.

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019



    Katie Giritlian's "Captions from and Towards Correspondence" program at SOHO20, organized as part of the Rethinking Feminism series by Curatorial Fellow Mira Dayal, under my direction, 2019.

    Katie Giritlian's "Captions from and Towards Correspondence" program at SOHO20, organized as part of the Rethinking Feminism series by Curatorial Fellow Mira Dayal, under my direction, 2019.

    Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    Golnar Adili installation in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Golnar Adili installation in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Evening of films and performances, "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Evening of films and performances,

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Golnar Adili and Adam Golfer in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Golnar Adili and Adam Golfer in

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Adam Golfer and Asuka Goto in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Adam Golfer and Asuka Goto in

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Adam Golfer in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Adam Golfer in

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Qiana Mestrich in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Qiana Mestrich in

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Gabriela Vainsencher in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Gabriela Vainsencher in

    "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Asuka Goto in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Asuka Goto in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    Gabriela Vainsencher, performative talk, NURTUREart, 2018

    Gabriela Vainsencher, performative talk, NURTUREart, 2018

    Rafael Kelman, performance, NURTUREart, 2018

    Rafael Kelman, performance, NURTUREart, 2018

    Rafael Kelman, performance, NURTUREart, 2018

    Rafael Kelman, performance, NURTUREart, 2018

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    Adam Golfer's trilingual book, A House Without a Roof, Booklyn Press, 2016

    Adam Golfer's trilingual book, A House Without a Roof, Booklyn Press, 2016

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    Abelardo Cruz Santiago, "Shared Location (Family Portraits)," Booklyn Gallery, 2016

    Abelardo Cruz Santiago, "Shared Location (Family Portraits)," Booklyn Gallery, 2016

    "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    Cottage Industry, Zine, with male anti-fertility herbs,Mary Walling Blackburn Rafael Kelman, Booklyn Gallery, 2017

    Cottage Industry, Zine, with male anti-fertility herbs,
    Mary Walling Blackburn
    Rafael Kelman, Booklyn Gallery, 2017

    Cottage Industry, Zine, with male anti-fertility herbs,Mary Walling Blackburn Rafael Kelman, Booklyn Gallery, 2017

    Cottage Industry, Zine, with male anti-fertility herbs,
    Mary Walling Blackburn
    Rafael Kelman, Booklyn Gallery, 2017

    Seed Bags: Papaya, with Zine, with male anti-fertility herbs, fromCottage Industry, Mary Walling Blackburn Rafael Kelman, Booklyn Gallery, 2017

    Seed Bags: Papaya, with Zine, with male anti-fertility herbs, from
    Cottage Industry, Mary Walling Blackburn
    Rafael Kelman, Booklyn Gallery, 2017

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    "Chromatic Presence," a collaborative installation for John Lennon's grand piano. Artists: Margaret Schedel, Joshua Clayton, and Jeanette Yew, from [SILENCE] at NYCAMS, 2012.

    "Chromatic Presence," a collaborative installation for John Lennon's grand piano. Artists: Margaret Schedel, Joshua Clayton, and Jeanette Yew, from [SILENCE] at NYCAMS, 2012.

    JUNG AH KIM“Kyoto and Naoshima,” from the series Photograph, 2012pen, scratched on photography15” x 20” from [SILENCE] at NYCAMS.

    JUNG AH KIM
    “Kyoto and Naoshima,” from the series Photograph, 2012
    pen, scratched on photography
    15” x 20” from [SILENCE] at NYCAMS.

    DEAN EBBEN“Fault,” 20107:51 minutes from [SILENCE], at NYCAMS, 2012.

    DEAN EBBEN
    “Fault,” 2010
    7:51 minutes from [SILENCE], at NYCAMS, 2012.

    JOSHUA CLAYTON“Interface for Translated Text: Silence”Lasercut Plexiclass, LCD screen, microcontroller.12 x 10” from group exhibition [SILENCE], 2012.

    JOSHUA CLAYTON
    “Interface for Translated Text: Silence”
    Lasercut Plexiclass, LCD screen, microcontroller.
    12 x 10” from group exhibition [SILENCE], 2012.

    ELIZABETH TUBERGEN Exposure (December - February 2009), November 2009 - 2012Installation from [SILENCE] at NYCAMS.

    ELIZABETH TUBERGEN
    Exposure (December - February 2009), November 2009 - 2012
    Installation from [SILENCE] at NYCAMS.

    ELIZABETH TUBERGEN Exposure (December - February 2009), November 2009 - 2012Installation from [SILENCE] at NYCAMS.

    ELIZABETH TUBERGEN
    Exposure (December - February 2009), November 2009 - 2012
    Installation from [SILENCE] at NYCAMS.

    Chelsea Music Festival family programming during [SILENCE], 2012.

    Chelsea Music Festival family programming during [SILENCE], 2012.

    SHIMPEI TAKEDASalt Terrain #26Unique gelatin silver photogram27x37" 2012 Installation from [SILENCE] at NYCAMS. Photographs represent exposure in the darkroom to damaged soil surrounding the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Fukushima, Japan.

    SHIMPEI TAKEDA
    Salt Terrain #26
    Unique gelatin silver photogram
    27x37" 2012
    Installation from [SILENCE] at NYCAMS.

    Photographs represent exposure in the darkroom to damaged soil surrounding the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Fukushima, Japan.

    JOSHUA CAVE"Fear," 2012Cement, glass, and oil paint. 4.5"x7"x3.5" from [SILENCE], 2012.

    JOSHUA CAVE
    "Fear," 2012
    Cement, glass, and oil paint.
    4.5"x7"x3.5" from [SILENCE], 2012.

    "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

    "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

    "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

    "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

    • 1

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 2

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 3

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 4

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 5

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 6

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 7

      Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY, 2018

    • 8

      Shahrzad Changalvaee, Better Never Than Late#1 // Archival Color Print on Paper, Mixed Media, Ink // 3’ x 6’ x 3” // 2018, SOHO20 +/- Project Space

    • 9

      Lulu Meng, film still, from "Talking Objects," NURTUREart, 2019.

    • 10

      Yto Barrada, film still, from "Talking Objects," NURTUREart, 2019.

    • 11

      Keren Benbenisty, film still, from "Talking Objects," NURTUREart, 2019.

    • 12

      Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    • 13

      Shahrzad Changalvaee, "Everything In Its Place
      (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    • 14

      Shahrzad Changalvaee, "Everything In Its Place
      (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    • 15

      Shahrzad Changalvaee, "Everything In Its Place
      (Release them NOW)," performance in "Talking Objects," NURTUREart, Bushwick, NY, July 2019

    • 16

      Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    • 17

      Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    • 18

      Zalika Azim's "Totems," SOHO20 +/- Project Space, 2019

    • 19

      "Studios," from Vocabulary, group exhibition at SOHO20, 2019.

    • 20

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    • 21

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    • 22

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    • 23

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    • 24

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019

    • 25

      Cansu Korkmaz's "Quite a While," SOHO20 +/- Project Space, 2019



    • 26

      Katie Giritlian's "Captions from and Towards Correspondence" program at SOHO20, organized as part of the Rethinking Feminism series by Curatorial Fellow Mira Dayal, under my direction, 2019.

    • 27

      Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    • 28

      Katy McCarthy's (P)residency: Green Room, SOHO20 +/- Project Space Residency, 2018

    • 29

      Golnar Adili installation in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 30

      Evening of films and performances,

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 31

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 32

      Golnar Adili and Adam Golfer in

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 33

      Adam Golfer and Asuka Goto in

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 34

      Adam Golfer in

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 35

      Qiana Mestrich in

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 36

      Gabriela Vainsencher in

      "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 37

      Asuka Goto in "Relative Material," group exhibition, NURTUREart, 2017-2018.

    • 38

      Gabriela Vainsencher, performative talk, NURTUREart, 2018

    • 39

      Rafael Kelman, performance, NURTUREart, 2018

    • 40

      Rafael Kelman, performance, NURTUREart, 2018

    • 41

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 42

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 43

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 44

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 45

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 46

      Qiana Mestrich, "Hard to Place," Booklyn Gallery, 2016

    • 47

      Adam Golfer's trilingual book, A House Without a Roof, Booklyn Press, 2016

    • 48

      Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    • 49

      Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    • 50

      Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    • 51

      Sara Shaoul's "Strange Labor," 2015, Booklyn Gallery.

    • 52

      Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    • 53

      Golnar Adili, "Perhaps the Sky Cannot Contain All This Darkness of the Heart," Booklyn Gallery, 2016

    • 54

      Abelardo Cruz Santiago, "Shared Location (Family Portraits)," Booklyn Gallery, 2016

    • 55

      "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    • 56

      "Postcards from Berlin," Abelardo Cruz Santiago, Booklyn Gallery, 2016

    • 57

      Cottage Industry, Zine, with male anti-fertility herbs,
      Mary Walling Blackburn
      Rafael Kelman, Booklyn Gallery, 2017

    • 58

      Cottage Industry, Zine, with male anti-fertility herbs,
      Mary Walling Blackburn
      Rafael Kelman, Booklyn Gallery, 2017

    • 59

      Seed Bags: Papaya, with Zine, with male anti-fertility herbs, from
      Cottage Industry, Mary Walling Blackburn
      Rafael Kelman, Booklyn Gallery, 2017

    • 60

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 61

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 62

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 63

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 64

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 65

      "OPEN CAGE: NEW YORK," 75 person performance, with Morgan O'Hara, Eyebeam, Chelsea Music Festival, 2012

    • 66

      "Chromatic Presence," a collaborative installation for John Lennon's grand piano. Artists: Margaret Schedel, Joshua Clayton, and Jeanette Yew, from [SILENCE] at NYCAMS, 2012.

    • 67

      JUNG AH KIM
      “Kyoto and Naoshima,” from the series Photograph, 2012
      pen, scratched on photography
      15” x 20” from [SILENCE] at NYCAMS.

    • 68

      DEAN EBBEN
      “Fault,” 2010
      7:51 minutes from [SILENCE], at NYCAMS, 2012.

    • 69

      JOSHUA CLAYTON
      “Interface for Translated Text: Silence”
      Lasercut Plexiclass, LCD screen, microcontroller.
      12 x 10” from group exhibition [SILENCE], 2012.

    • 70

      ELIZABETH TUBERGEN
      Exposure (December - February 2009), November 2009 - 2012
      Installation from [SILENCE] at NYCAMS.

    • 71

      ELIZABETH TUBERGEN
      Exposure (December - February 2009), November 2009 - 2012
      Installation from [SILENCE] at NYCAMS.

    • 72

      Chelsea Music Festival family programming during [SILENCE], 2012.

    • 73

      SHIMPEI TAKEDA
      Salt Terrain #26
      Unique gelatin silver photogram
      27x37" 2012
      Installation from [SILENCE] at NYCAMS.

      Photographs represent exposure in the darkroom to damaged soil surrounding the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Fukushima, Japan.

    • 74

      JOSHUA CAVE
      "Fear," 2012
      Cement, glass, and oil paint.
      4.5"x7"x3.5" from [SILENCE], 2012.

    • 75

      "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    • 76

      "Yoink," Brent Everett Dickinson, DJ Spooky, Rubin Museum, Chelsea Music Festival, 2012

    • 77

      "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

    • 78

      "Reverse," interdisciplinary collaborative performance, NYCAMS Gallery, 2012

  2. [This page needs updating.  Please email for a current CV.]

  3. Select Past Curatorial Projects

    2019 "Vocabulary," group exhibition, SOHO20, Brooklyn, NY.

    2019 “Zalika Azim: Totems,” exhibition, SOHO20 +/- Project Space, Brooklyn, NY.

    2019 “Cansu Korkmaz: Quite a While,” exhibition, SOHO20 +/- Project Space,  Brooklyn, NY.

    2018 “Shahrzad Changalvaee: The Understandables Always Arrive From Far Away,” exhibition,  SOHO20 +/- Project Space, Brooklyn, NY

    2017 “Relative Material,” eight-person group exhibition, NURTUREart, Brooklyn, NY.

    2017 “An Afternoon of Performances and Readings,” programming, NURTUREart, Brooklyn, NY.

    2017 “Elective Affinities: A Library,” curators Jocelyn Spaar + Sarah Watson, curatorial project in exhibition, 205 Hudson Gallery, NY.

    2017 “Golnar Adili: perhaps all the sky cannot contain this darkness of the heart,” Booklyn, exhibition, NY.

    2016 Workshop with Golnar Adili, Booklyn, exhibition, Greenpoint, NY.

    2016 “Alternative Art School Fair #1,” Pioneer Works, collaborative curatorial project and art fair, Brooklyn, NY.

    2016 "A House Without a Roof," Adam Golfer, trilingual book, Booklyn Press, released at New York Art Book Fair.

    2016 “Jesse Chun: Valid From Until,” exhibition, Booklyn, Greenpoint, NY.

    2016 "Shared Location (Family Portraits),” Abelardo Cruz Santiago, exhibition, Booklyn, Greenpoint, NY.

    2016 “Jogging Comfortably,” Eric Ramos Guerrero + Abelardo Cruz Santiago, outdoor performance, Brooklyn, NY.

    2016 “Hard to Place: Qiana Mestrich,” exhibition, Booklyn, Greenpoint, NY.

    2016 “Domestic Obscura,” workshop with Liz Sales, Booklyn, Brooklyn, NY.

    2015  “ARE Anhoek Record Examination,” Mary Walling Blackburn, performative workshop, Sunview Lunchntte, NY.

    2015   A House Without a Roof,” Adam Golfer, exhibition book, Booklyn, Greenpoint, NY.

    2015 “Strange Labor: Sara Shaoul,” Booklyn, exhibition + zine, Booklyn, Greenpoint, NY.

    2015   “Cottage Industry: Mary Walling Blackburn, Rafael Kelman,” exhibition, zine, Booklyn, Greenpoint, NY.

    2013   Constructed Images,” 12-person group exhibition, 205 Hudson St., New York.

    2012 Reverse, Collaborative Performance, NY Center for Art + Media Studies, NY.

    2012   Light/Up, 20-person exhibition, w83 Cultural Center, NY.

    2012 ON SILENCE, 25-person interdisciplinary performance, Chelsea Music Festival, Rubin Museum.

    2012 OPEN CAGE: NY, 75-person interdisciplinary performance, Morgan O’Hara, Chelsea Music Festival, Eyebeam, NY.

    2012 [ON SILENCE], Chelsea Music Festival, 25-person group exhibition, NYCAMS Gallery, New York, June.

  4. Select Past Co-Curatorial Projects

    2019 “Talking Objects,” performances, screenings: Yto Barrada, Keren Benbenisty, Shahrzad Changalvaee, LuLu Meng, co-curated w/ Mira Dayal, NURTUREart, Brooklyn, NY.

    2019 "Solidarity and Feminism," series of 5 events by SOHO20 Curatorial Fellow, Mira Dayal, under my direction.

    2019 Romily Alice Walden: My Body Is The House That I Live In,” exhibition, SOHO20 +/- Project Space, Brooklyn, NY.

    2019 Moko Fukuyama: Untitled (Diorama),” exhibition, SOHO20 +/- Project Space, Brooklyn, NY.

    2019 “Bonam Kim: Objective Tracings,” exhibition, SOHO20 Gallery, Brooklyn, NY, 

    2018 Emily Oliveira: DICK VAN DICK: Everything Louder Than Everything Else,” exhibition, SOHO20 +/- Project Space, Brooklyn, NY.

    2018 “Katy McCarthy: (P)residency,” exhibition and residency lab, SOHO20 Gallery.

    2018 “Roopa Vasudevan: Editor’s Notes,” exhibition and residency lab, SOHO20 Gallery.

    2016   “Up Against the Wall,” group exhibition, Booklyn, Greenpoint, NY.

    2016 “An Evening of Poetry + Beat Nite,” Booklyn, programming, Booklyn, Greenpoint, NY.